Afterimage. Oil on linen,
96 x 106 inches (243.8 x 134.6 cm), 2017–2019
Afterimage. Oil on linen, 96 x 106 inches (243.8 x 134.6 cm), 2017–2019
Palinopsia. Oil on linen, 96 x 106 inches (243.8 x 134.6 cm), 2019
Palinopsia. Oil on linen, 96 x 106 inches (243.8 x 134.6 cm), 2019
Icon (xx), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xx), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xix), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xix), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xviii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xviii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xvii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xvii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xvi), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xvi), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
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Icon (x), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
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Icon (xv), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xv), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xiv), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xiv), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xiii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xiii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xii), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xi), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (xi), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (x), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (x), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (ix), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Icon (ix), oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2019
Triptych (xii), oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2019-2020
Triptych (xi), oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2019
Triptych (x), oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2019
Triptych (ix), oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2019
Triptych (vii), oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2019
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Untitled (ii), oil on linen on aluminum panel, 19 x 15 inches (48.3 x 38.1 cm), 2019
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Untitled (iii), oil on linen on aluminum panel, 19 x 15 inches (48.3 x 38.1 cm), 2019
Untitled (ii), oil on linen on aluminum panel, 19 x 15 inches (48.3 x 38.1 cm), 2019
Untitled, oil on linen on aluminum panel, 19 x 15 inches (48.3 x 38.1 cm), 2019
Installation view of Water Thief
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Untitled (19-08), ink and charcoal on Japanese bark paper, 95 x 92 inches, 241 x 233.6 cm, 2019.
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Untitled (19-08) detail.
Untitled (19-08), ink and charcoal on Japanese bark paper, 95 x 92 inches, 241 x 233.6 cm, 2019.
Untitled (19-08) detail.
Empire (18-12 a). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 b). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 c). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 d). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 e). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 f). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 g). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 h). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Empire (18-12 i). Watercolor, gouache and pencil on paper, 8 1/4 x 5 7/8 inches, 2018.
Installation view of Water Thief
Again Song iv (15-30). Watercolor on paper, 11 5/8 X 8 1/8 inches, 2015.
Again Song i (15-27). Watercolor on paper, 11 5/8 X 8 1/8 inches, 2015.
Again Song v (15-31). Watercolor on paper, 11 5/8 X 8 1/8 inches, 2015.
Again Song vi (15-32). Watercolor on paper, 11 5/8 X 8 1/8 inches, 2015.
Again Song vii (15-33). Watercolor on paper, 11 5/8 X 8 1/8 inches, 2015.
Again Song viii (15-34). Watercolor on paper, 11 5/8 X 8 1/8 inches, 2015.
Untitled 1/6 (13-25). Gouache and watercolor on Japanese laid paper, 8 3/4 x 6 1/2 in, 2013.
Untitled 2/6 (13-26). Gouache, pastel, and watercolor on Japanese laid paper, 8 3/4 x 6 1/2 in, 2013.
Untitled 3/6 (13-27). Gouache and watercolor on Japanese laid paper, 8 3/4 x 6 1/2 in, 2013.
Untitled 4/6 (13-28). Gouache, watercolor, and graphite on Japanese laid paper, 8 3/4 x 6 1/2 in, 2013.
Untitled 5/6 (13-29). Gouache and watercolor on Japanese laid paper, 8 3/4 x 6 1/2 in, 2013.
Untitled 6/6 (13-30). Gouache and watercolor on Japanese laid paper, 8 3/4 x 6 1/2 in, 2013.
Recto Verso (Untitled, 13-32), (recto), Gouache and walnut ink on Losin laid paper, 5 3/4 x 8 1/8 in, 2013.
Looking / Seeing, (12 diptychs)
Looking / Seeing (0). Graphite on paper, Diptych, each sheet 6 1/2 x 5 ⅛ inches, 5/16 space in between, 2016.
Looking / Seeing (I). Watercolor and graphite on paper, diptych: left sheet 5 1/8 x 2 3/16 inches, right sheet 5 1/8 x 7 7/8 inches, 5/16 space in between, 2016.
Looking / Seeing (II). Ink and graphite on paper, diptych: each sheet 6 ¼ x 5 inches, 5/16 space in between, 2016
Looking / Seeing (III). Inkjet print, watercolor and ink on paper, diptych: left sheet 6 ¾ x 5 ¼ inches, right sheet 6 3/8 x 4 1/2 inches (16 x 11.5 cm), 5/16 space in between, 2016.
Looking / Seeing (IV). Ink and watercolor on paper, diptych: each sheet 6 ½ x 4 ½ inches, 5/16 space in between, 2016.
Looking / Seeing (V). Ink, graphite, and enamel paint on paper, diptych: each sheet 6 x 5 ¼ inches, 5/16 space in between, 2016.
Looking / Seeing (VI). Ink and graphite on paper, diptych: each sheet 6 x 5 ¼ inches, 5/16 space in between, 2016.
Looking / Seeing (VII). Ink, watercolor, and graphite on paper, diptych: each sheet 7 7/8 x 5 1/8 inches, 5/16 space in between, 2016.
Looking / Seeing (VIII). Ink and graphite on paper, diptych: each sheet 6 x 5 1/8 inches, 2016.
Looking / Seeing (IX). Ink, gouache, and graphite on paper, diptych: each sheet 5 1/8 x 7 ¾ inches, 5/16 space in between, 2016.
Looking / Seeing (X). Ink and graphite on paper and calf skin, diptych: left sheet 7 ¾ x 4 7/8 inches (19.7 x 12 cm), right sheet 7 7/8 x 4 7/8 inches (20 x 12 cm), 5/16 space in between, 2016.
Installation view of Water Thief
Untitled (12-38). Gouache and egg tempera on paper, 11 x 9 inches, 2012.
Untitled works from 2011-2012, each drawing 11 x 9 inches, ink on wove paper.
Untitled (15-108). Gouache, watercolor, and oil paint on paper, 24 7/8 x 27 3/4 inches, 2015.
Untitled (15-109). Waterc22 5/8 x 25 3/4 inches, 2015.
Untitled (16-57). W25 x 27 5/8 inches, 2016-2019.
Untitled (15-107). Watercolor and collage on collaged Japanese laid paper, 22 5/8 x 26 1/8 inches, 2015.
Installation view of Water Thief
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VOYEUR (19-07 a). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
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VOYEUR (19-07 a). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
VOYEUR (19-07 b). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
VOYEUR (19-07 c). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
VOYEUR (19-07 d). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
VOYEUR (19-07 e). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
VOYEUR (19-07 f). Watercolor, gouache, shellac & pigment, and graphite on wove collaged paper, 12 x 9 inches, 2018.
Museo del Risorgimento, Turin, Italy.
| Triptych (v). Oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2018. |
| Noon. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2018. |
| Life of Forms. Oil on linen, 14 x 16 feet (4.27 x 4.88 meters), 2017. |
Triptych. Oil on linen, diptych, total dims 19 x 30 7/16 inches (48.26 x 77.31 cm), 2018.
Nathalie Karg Gallery, New York. Installation.
Visions. Oil on linen, 100 x 87 1/2 inches (254 x 222.25 cm), 2017.
Scribe. Oil on linen, 100 x 87 1/2 inches (254 x 222.25 cm), 2018.
Sightline (ii). Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2018.
Sightline (iii). Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2018.
Left (Closed Eye Vision). Oil on linen, diptych, 96 x 107 1/2 inches (243.84 x 273.05 cm), 1 1/2 inch space between, 2018.
Right (Closed Eye Vision). Oil on linen, diptych, 96 x 107 1/2 inches (243.84 x 273.05 cm), 1 1/2 inch space between, 2018.
Water Thief. Oil on linen, diptych, each panel 96 x 53 inches (243.84 x 134.62 cm), 1 1/2 inch (3.81 cm) space between, 2018.
Installation at Kunsthall Stavanger, Norway.
Icon (v). Oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2018.
Council, Untitled (18-10). Watercolor on paper, diptych: each sheet 5 7/8 x 9 inches (15 x 23 cm); 1/4 inch space between, 2018.
| Icon (iii). Oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2018. |
Icon (iv). Oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2018.
Icon (vi). Oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2018.
Icon (ii). Oil on linen on dibond, 9 x 6 1/2 inches (22.86 x 16.51 cm), 2018.
Triptych (iii). Oil on linen, diptych, total dims 19 x 30 7/16 inches (48.26 x 77.31 cm), 2018.
Therefor. Oil on linen, 92 x 84 inches (234 x 213 cm), 2018.
Photopia. Oil on linen, 92 x 84 inches (234 x 213 cm), 2018.
Scope. Oil on linen, two panels, each 96" x 52" (243.8 x 134.6 cm), 2018.
Triptych (ii). Oil on linen, two panels, each 19 x 30 7/16 inches (48.26 x 77.31 cm), 2018.
Falten. Oil on linen, 19 x 30 inches (48.26 x 76.2 cm), 2017.
Nightshade. Oil on linen, 84" x 92" (213 x 234 cm), 2017.
Salt. Oil on linen, two panels, each 96" x 53" (243.8 x 134.6 cm), 2017.
Council, Untitled (18-31). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-30). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-29). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-27). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-26). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-25). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-24). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-23). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (19-04). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2019.
Council, Untitled (19-05). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2019.
Council, Untitled (18-11). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-10). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-07). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-06). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-05). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Council, Untitled (18-04). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
Timepiece (18-09). Watercolor on paper, nine sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2018.
A Palazzo Gallery, Brescia, Italy. Installation.
Life of Forms. Oil on linen, four panels, 14 x 16 feet (426,72 x 487,68 cm), 2017.
Detail of Life of Forms. Oil on linen, four panels, 14 x 16 feet (426,72 x 487,68 cm), 2017.
Detail of Life of Forms. Oil on linen, four panels, 14 x 16 feet (426,72 x 487,68 cm), 2017.
Detail of Life of Forms. Oil on linen, four panels, 14 x 16 feet (426,72 x 487,68 cm), 2017.
Dream Sequence (vi). Oil on linen, 19" x 15" (48 x 38 cm), 2017.
Dream Sequence (v). Oil on linen, 19" x 15" (48 x 38 cm), 2017.
Dream Sequence (iii). Oil on linen, 19" x 15" (48 x 38 cm), 2017.
Dream Sequence (iv). Oil on linen, 19" x 15" (48 x 38 cm), 2017.
Peak. Oil on linen, two panels, 84" x 93 1/4" (213,4 x 236,9 cm), dimensions include space between, 2017.
Valley. Oil on linen, two panels, 84" x 93 1/4" (213,4 x 236,9 cm), dimensions include space between, 2017.
Left to Right:
Dream Sequence (ii). Oil on linen, 19" x 15" (48 x 38 cm), 2017.
Dream Sequence (i). Oil on linen, 19" x 15" (48 x 38 cm), 2017.
Dream Sequence (vii). Oil on linen, 19" x 30" (48 x 76 cm), 2017.
Council, VOICES (16-26). Watercolor and walnut ink on paper, 2016.
Council, VOICES (17-18). Watercolor on paper, six sheets, each sheet 8 1/4 x 5 7/8 inches (21 x 15 cm), 2017.
Council, Untitled (17-13). Watercolor, wax, and dry pigment on paper, 8 1/4 x 5 7/8 inches (21 x 15 cm), 2017.
Nathalie Karg Gallery, New York. Installation.
Resonance II. Oil on linen, 19" x 15" (48 x 38 cm), 2016.
Resonance. Oil on linen, 19" x 15" (48 x 38 cm), 2016.
West. Oil on linen, 84" x 92" (213 x 234 cm), 2016.
Gilles. Oil on linen, 84" x 92" (213 x 234 cm), 2014.
Twice Six. Oil on linen, 84" x 92" (213 x 234 cm), 2016.
Consonance. Oil on linen, 19" x 15" (48 x 38 cm), 2016.
Consonance II. Oil on linen, 19" x 15" (48 x 38 cm), 2016.
Assonance. Oil on linen, 19" x 15" (48 x 38 cm), 2016.
Dissonance. Oil on linen, 19" x 15" (48 x 38 cm), 2016.
| Twice Six. Oil on linen, 84" x 92" (213 x 234 cm), 2016. |
(15-52) - (15-57). Watercolor and walnut ink on paper, 2015.
Timpani. Oil on linen, two panels, each 84" x 46" (213 x 117 cm), with a 1 1/2" (3.8 cm) space in the center, 2016.
Untitled (Green). Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Untitled (Half). Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Techniques of Recognition. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Techniques of Recognition II. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Techniques of Recognition III. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Techniques of Recognition IV. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Techniques of Recognition V. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Techniques of Recognition VI. Oil on linen, 19 x 15 inches (48.3 x 38.1 cm), 2016.
Council, Untitled (16-38). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2016.
Council, Untitled (16-29). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2016.
Council, Untitled (16-28). Watercolor on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2016.
Council, Untitled (16-27 a–f). Watercolor on paper, Seven sheets, 8 1/4 x 5 7/8 inches (21 x 15 cm), 2016-2018.
Council, Untitled (16-23). Watercolor on paper, Two sheets, 8 x 5 3/4 inches (20 x 15 cm), 2016.
Council, Untitled (16-22). Watercolor on paper, Two sheets, 8 x 5 3/4 inches (20 x 15 cm), 2016.
Council, Untitled (16-21). Watercolor on paper, Two sheets, 8 x 5 3/4 inches (20 x 15 cm), 2016.
Council, Untitled (16-20). Watercolor on paper, Two sheets, 8 x 5 3/4 inches (20 x 15 cm), 2016.
Council, Untitled (16-13). Watercolor on paper, 8 1/4 x 5 7/8 inches (21 x 15 cm), 2016.
Council, Untitled (15-105). Walnut ink and gouache on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2015.
Council, Untitled (15-76). Walnut ink and gouache on paper, two sheets, each 8 x 5 3/4 inches (20 x 15 cm), 2015.
Council, Untitled (15-106). Walnut ink and gouache on paper, two sheets, each 8 1/4 x 5 7/8 inches (21 x 15 cm), 2015.
Diver. Oil on linen, 84" x 92" (213 x 234 cm), 2015.
Thrice II. Oil on linen, 84" x 92" (213 x 234 cm), 2014.
Thrice. Oil on linen, 84" x 92" (213 x 234 cm), 2013.
Epigraph. Oil on linen, with linen collage elements, 84" x 96" (213 x 244 cm), 2015-2016.
Subject Without a Skin. Oil on linen, 84" x 96" (213 x 244 cm), 2012-2014.
Subject Without a Skin II. Oil on linen, 84" x 96" (213 x 244 cm), 2014.
Subject Without a Skin III. Oil on linen, 84" x 96" (213 x 244 cm), 2014.
Untitled (14-26). Graphite on paper, 10 1/2 x 12 inches, 2014.
Untitled (14-25). Graphite on paper, 10 1/2 x 12 inches, 2014.
Untitled (14-15). Watercolor on paper, 10 1/2 x 12 inches, 2014.
Untitled (14-13). Watercolor on paper, 10 1/2 x 12 inches, 2014.
Untitled (14-14). Watercolor on paper, 10 1/2 x 12 inches, 2014.
Untitled (14-12). Watercolor on paper, 10 1/2 x 12 inches, 2014.
Untitled (14-11). Watercolor on paper, 10 1/2 x 12 inches, 2014.
Untitled (13-20). Walnut ink, gouache, and conté crayon on paper, 10 3/4 x 11 15/16 inches (27.3 x 40.3 cm), 2013.
Untitled (13-17). Walnut ink, gouache, and conté crayon on paper, 10 3/4 x 11 15/16 inches (27.3 x 40.3 cm), 2013.
Untitled (13-15). Walnut ink, gouache, and conté crayon on paper, 10 3/4 x 11 15/16 inches (27.3 x 40.3 cm), 2013.
[a partial list of falling]
Nathlie Provosty
Edition of 350
Available for purchase at Printed Matter St Marks in Manhattan, A Palazzo Gallery in Italy or Nathalie Karg Gallery in NYC.
all rainbows in a brainstem
that we be so contained
Nathlie Provosty and Anne Waldman
Edition of 300
Available for purchase at Karma Bookstore in Manhattan, A Palazzo Gallery in Italy or Hassla Books.
Nathlie Provosty (Distanz)
Distanz is a publishing company based in Berlin. This limited edition book includes works from 2012–2016.
Essay by Jarrett Earnest. 104 pages; 65 color images
Available for purchase here.
The Color Mill
The Color Mill is a collaboration that includes ink drawings from 2010 - 2012, with poems written in response by the legendary New York School poet Robert Kelly. 82 pages; 20 illustrations. This publication is limited to 200 copies. The first edition of the book is available for purchase here. This version is only available directly from the studio.
My Pupil is an Anvil
Published on the occasion of My Pupil is an Anvil at Nathalie Karg Gallery, February 28 - April 15, 2018.
Essay by Brian O'Doherty. 28 pages, 22 color images. Available at Nathalie Karg Gallery.
Book Launch IN ROME @ Fendi Foundation
Monday Sept 19, 2022
6pm
Reading and Conversation with Charity Coleman
[a partial list of falling] recounts the incident of a man who unexpectedly fell while working in the artist’s studio. The book compiles photographs, three bodies of drawings, art historical paintings, email correspondences, quotes from books, as well as the artist’s original writing to tell a story of transformation. An afterword is written by the poet Charity Coleman.
Published by Hassla (PURCHASE HERE).
Book Launch IN NYC @ PRINTED MATTER ST MARKS
The event has passed but is available for viewing on YouTube. With Provosty, Gryphon Rue, Charmaine Lee, and Lukas Kœnig. View HERE.
Monday Sept 19, 2022
6pm
Reading and Conversation with Charity Coleman
[a partial list of falling] recounts the incident of a man who unexpectedly fell while working in the artist’s studio. The book compiles photographs, three bodies of drawings, art historical paintings, email correspondences, quotes from books, as well as the artist’s original writing to tell a story of transformation. An afterword is written by the poet Charity Coleman.
Published by Hassla (PURCHASE HERE).
Book Launch IN NYC @ PRINTED MATTER ST MARKS
The event has passed but is available for viewing on YouTube. With Provosty, Gryphon Rue, Charmaine Lee, and Lukas Kœnig. View HERE.
Nathlie Provosty (b. 1981, Cincinnati, Ohio) is a visual artist based in New York, whose work is engaged with materiality and perception. The artist uses subtle, highly tactile qualities of oil paint that oscillate visually and conceptually due to the painting's multi-referential imagery, physical interaction with light & the environment, and continuous spatial shifts. Her first one-person exhibition in New York opened in 2012 at an experimental artist-run gallery called 1:1, and she has since exhibited nationally and internationally including solo presentations at the Risorgimento Museum in Turin, Italy (2018-19), Nathalie Karg Gallery in New York (2019, 2018, 2016), and A Palazzo Gallery in Italy (2020-21, 2017); Group exhibitions include the Santa Barbara Museum of Art, CA (2020), the San Francisco Museum of Modern Art (2019), Kunsthall Stavanger, Norway (2018), Colby Museum of Art, ME, curated by Alex Katz (2017), and the Washington University Museum, DC (2017). In May 2022 Hassla published an artist book by Provosty titled [a partial list of falling], which coordinated with a solo exhibition at Nathalie Karg Gallery in NY (2022).
CV
CV
New York
Nathalie Karg Gallery
info@nathaliekarg.com
Italy
A Palazzo Gallery
vg@apalazzo.net
art@apalazzo.net
Nathalie Karg Gallery
info@nathaliekarg.com
Italy
A Palazzo Gallery
vg@apalazzo.net
art@apalazzo.net
Selected Bibliography
2021
Nathlie Provosty at Nina Johnson Gallery (Lorna Ramage, Ocean Drive Magazine)
2020
Issue 146: Introducting 60 Exceptional Artists (Jerry Saltz, New American Paintings (February/ March): 144-147)
The Women Artists Who Deserve Our Attention, According to 9 Leading Artists (Shirin Neshat, Artsy)
2019
Transmissions (Yuki Higashino, Artforum, December issue)
Water Tight, Nathlie Provosty at Nathalie Karg Gallery (Hall W. Rockefeller, Less Than Half)
2018
Artists in Focus: Nathlie Provosty (Claire Wrathall, Christie’s Magazine)
Nathlie Provosty: My Pupil is an Anvil (Will Fenstermaker, The Brooklyn Rail)
Nathlie Provosty: My Pupil is an Anvil (Will Corwin, Delicious Line)
2017
A conversation about art with the Brooklyn based painter Nathlie Provosty (Federica Tattoli, Fruit of the Forest)
2016
Thank You For What is Underneath, Nathlie Provosty (David Cohen, Artcritical)
Paintings that Sensually Shift in Tone and Texture (Laila Pedro, Hyperallergic)
Lower East Side as Petri Dish (Roberta Smith, The New York Times)
2015
People: 20 Emerging Female Artists to Keep on Your Radar (Lauren Palmer, Artnet News)
2014
24 Artists to Watch 2015 (Modern Painters)
Conversations: Nathlie Provosty, Keith J. Varadi, Christopher K. Ho (Christopher K. Ho, Marco Antonini, NurtureArt)
arte/ficción/ensayo 03 (diSONARE)
Simplest Means (Jennifer Kabat, Frieze)
Come Together: Surviving Sandy, Year One (William Corwin, Frieze)
2013
‘Drag’ & ‘Abstraction’ (Jarrett Earnest, SFAQ)
Nathlie Provosty’s New Paintings (Alex Bacon, Miami Rail)
The Man (Robert Kelly, Riot of Perfume)
Here and There and In-Between (Phong Bui, Nathlie Provosty, Annual Magazine)
Come Together: Surviving Sandy (Stephen Truax, ArtPulse.com)
2012
Nathlie Provosty (Chloë Rossetti, ArtForum.com)
2011
Nathlie Provosty at Gallery Diet (Shana Beth Mason, Whitehot Magazine)
2021
Nathlie Provosty at Nina Johnson Gallery (Lorna Ramage, Ocean Drive Magazine)
2020
Issue 146: Introducting 60 Exceptional Artists (Jerry Saltz, New American Paintings (February/ March): 144-147)
The Women Artists Who Deserve Our Attention, According to 9 Leading Artists (Shirin Neshat, Artsy)
2019
Transmissions (Yuki Higashino, Artforum, December issue)
Water Tight, Nathlie Provosty at Nathalie Karg Gallery (Hall W. Rockefeller, Less Than Half)
2018
Artists in Focus: Nathlie Provosty (Claire Wrathall, Christie’s Magazine)
Nathlie Provosty: My Pupil is an Anvil (Will Fenstermaker, The Brooklyn Rail)
Nathlie Provosty: My Pupil is an Anvil (Will Corwin, Delicious Line)
2017
A conversation about art with the Brooklyn based painter Nathlie Provosty (Federica Tattoli, Fruit of the Forest)
2016
Thank You For What is Underneath, Nathlie Provosty (David Cohen, Artcritical)
Paintings that Sensually Shift in Tone and Texture (Laila Pedro, Hyperallergic)
Lower East Side as Petri Dish (Roberta Smith, The New York Times)
2015
People: 20 Emerging Female Artists to Keep on Your Radar (Lauren Palmer, Artnet News)
2014
24 Artists to Watch 2015 (Modern Painters)
Conversations: Nathlie Provosty, Keith J. Varadi, Christopher K. Ho (Christopher K. Ho, Marco Antonini, NurtureArt)
arte/ficción/ensayo 03 (diSONARE)
Simplest Means (Jennifer Kabat, Frieze)
Come Together: Surviving Sandy, Year One (William Corwin, Frieze)
2013
‘Drag’ & ‘Abstraction’ (Jarrett Earnest, SFAQ)
Nathlie Provosty’s New Paintings (Alex Bacon, Miami Rail)
The Man (Robert Kelly, Riot of Perfume)
Here and There and In-Between (Phong Bui, Nathlie Provosty, Annual Magazine)
Come Together: Surviving Sandy (Stephen Truax, ArtPulse.com)
2012
Nathlie Provosty (Chloë Rossetti, ArtForum.com)
2011
Nathlie Provosty at Gallery Diet (Shana Beth Mason, Whitehot Magazine)
Solo Exhibition Catalogues & Artist Books
2022
[a partial list of falling]. Text by Nathlie Provosty. Afterward by poet Charity Coleman. Hassla Books, NY.
2020
all rainbows in a brainstem / that we be so contained. Text by poet Anne Waldman. Hassla Books, NY.
2019
Likeness. Edition of 20, content includes individually drawn covers; artist book by N. Provosty.
2018
Nathlie Provosty. Text by Brian O’Doherty: “Slow Time.” Nathalie Karg Gallery, New York.
2016
Nathlie Provosty. Text by Jarrett Earnest: “Lessons in Darkness.” Distanz, Berlin.
2014
The Color Mill. Text by poet Robert Kelly. Spuyten Duyvil, NY.
Group Exhibition Catalogues
2019
Doing What Comes Naturally. Text by Robert Storr. Resnick / Pasloff Foundation, NY.
2018
The Joy of Color. Text by Karen Wilkin. Mnuchin Gallery, NY.
Bui Jensen Lewczuk Provosty. Text by Phong Bui & Raymond Foye. Maruani Mercier Gallery, Brussels.
2017
Man Alive. Text by Wendy White. Maruani Mercier Gallery, Brussels.
2016
A Way of Living. Text by Barry Schwabsky: “Modus Vivendi, or, The Open Question of Form” Mousse, Milan. (A Palazzo Gallery)
Cosmic Connections. Totah Gallery, NY.
2022
[a partial list of falling]. Text by Nathlie Provosty. Afterward by poet Charity Coleman. Hassla Books, NY.
2020
all rainbows in a brainstem / that we be so contained. Text by poet Anne Waldman. Hassla Books, NY.
2019
Likeness. Edition of 20, content includes individually drawn covers; artist book by N. Provosty.
2018
Nathlie Provosty. Text by Brian O’Doherty: “Slow Time.” Nathalie Karg Gallery, New York.
2016
Nathlie Provosty. Text by Jarrett Earnest: “Lessons in Darkness.” Distanz, Berlin.
2014
The Color Mill. Text by poet Robert Kelly. Spuyten Duyvil, NY.
Group Exhibition Catalogues
2019
Doing What Comes Naturally. Text by Robert Storr. Resnick / Pasloff Foundation, NY.
2018
The Joy of Color. Text by Karen Wilkin. Mnuchin Gallery, NY.
Bui Jensen Lewczuk Provosty. Text by Phong Bui & Raymond Foye. Maruani Mercier Gallery, Brussels.
2017
Man Alive. Text by Wendy White. Maruani Mercier Gallery, Brussels.
2016
A Way of Living. Text by Barry Schwabsky: “Modus Vivendi, or, The Open Question of Form” Mousse, Milan. (A Palazzo Gallery)
Cosmic Connections. Totah Gallery, NY.
Writing, Lectures, Collaborations
2021
Reading of all rainbows in a brainstem @ Printed Matter Virtual Art Book Fair, followed by conversation (link); February 27, 2021. (Printed Matter, NY)
Begins at 10:27:14 on the YouTube link.
2019
Critics Page, Nathlie Provosty (The Brooklyn Rail)
2018
Myron Stout, Aegis (The Brooklyn Rail)
Panel on Al Held with Keltie Ferris, Matthew Israel, and Nathlie Provosty, moderated by David Cohen. (Cheim & Read Gallery)
2017
Panel on Ad Reinhardt with Peter Halley, Josephine Halvorson, Raymond Pettibon, Nathlie Provosty, and Cheyney Thompson, moderated by Seth Cameron (David Zwirner Gallery)
Ad Reinhardt, Blue Paintings (The Brooklyn Rail)
Sufjan Stevens Planetarium Album Artwork (4AD record label)
2015
In Conversation: Michael Taussig with Nathlie Provosty and Jarrett Earnest (The Brooklyn Rail)
ICA Next: Color Sound (Institute of Contemporary Art, Miami)
Artist Lecture (Acadia Summer Arts Program)
Extremes Redux Nearby or The The The (The Brooklyn Rail)
2014
A Thick Neck in the Wedge of Habit Speaks with an Inherited Voice (The Brooklyn Rail)
Artist Lecture (Acadia Summer Arts Program)
Juror (Scholastics Award for High School Students)
What’s more real, a dead tree or a drawing of a dead tree? Michael Berryhill with Nathlie Provosty (The Brooklyn Rail)
In Conversation: G.T. Pellizzi with Nathlie Provosty (The Brooklyn Rail)
2013
The Kronos Quartet: Aheym Album Artwork (ANTI- record label)
In Conversation: Ron Gorchov with Nathlie Provosty ( The Brooklyn Rail)
2012
Artist Lecture with Nicole Wittenberg (New York Studio School) Nicolas Poussin: The Abduction of the Sabine Women (1633–34) (The Brooklyn Rail)
Artist Lecture (Columbia University BFA)
2021
Reading of all rainbows in a brainstem @ Printed Matter Virtual Art Book Fair, followed by conversation (link); February 27, 2021. (Printed Matter, NY)
Begins at 10:27:14 on the YouTube link.
2019
Critics Page, Nathlie Provosty (The Brooklyn Rail)
2018
Myron Stout, Aegis (The Brooklyn Rail)
Panel on Al Held with Keltie Ferris, Matthew Israel, and Nathlie Provosty, moderated by David Cohen. (Cheim & Read Gallery)
2017
Panel on Ad Reinhardt with Peter Halley, Josephine Halvorson, Raymond Pettibon, Nathlie Provosty, and Cheyney Thompson, moderated by Seth Cameron (David Zwirner Gallery)
Ad Reinhardt, Blue Paintings (The Brooklyn Rail)
Sufjan Stevens Planetarium Album Artwork (4AD record label)
2015
In Conversation: Michael Taussig with Nathlie Provosty and Jarrett Earnest (The Brooklyn Rail)
ICA Next: Color Sound (Institute of Contemporary Art, Miami)
Artist Lecture (Acadia Summer Arts Program)
Extremes Redux Nearby or The The The (The Brooklyn Rail)
2014
A Thick Neck in the Wedge of Habit Speaks with an Inherited Voice (The Brooklyn Rail)
Artist Lecture (Acadia Summer Arts Program)
Juror (Scholastics Award for High School Students)
What’s more real, a dead tree or a drawing of a dead tree? Michael Berryhill with Nathlie Provosty (The Brooklyn Rail)
In Conversation: G.T. Pellizzi with Nathlie Provosty (The Brooklyn Rail)
2013
The Kronos Quartet: Aheym Album Artwork (ANTI- record label)
In Conversation: Ron Gorchov with Nathlie Provosty ( The Brooklyn Rail)
2012
Artist Lecture with Nicole Wittenberg (New York Studio School) Nicolas Poussin: The Abduction of the Sabine Women (1633–34) (The Brooklyn Rail)
Artist Lecture (Columbia University BFA)